Hey! So Glad You're Here.

Some actors chase the spotlight. I've always been drawn to the moments in between. The pause before a punchline lands, the warmth in a voice that makes you trust a brand, the split-second read that turns a 30-second spot into something people remember. That's where I live as an actor, and it's what brought me to commercials and voice over work.

In the summer of 2026, I spent nine weeks immersed in the Stella Adler Art of Acting Academy's summer intensive. This program pushed me to dig deeper into character, imagination, and the discipline behind spontaneity.

My path here has been built one technique at a time. I studied scene study with Ellon Jacoby and Ricki Maslar, sharpened my commercial audition instincts under Barry Shapiro, and worked on audition technique with Robert Hass. Through David Wenzel, I trained deeply in Meisner, Method, Stella Adler, and Uta Hagen approaches, which are four distinct lenses on truth in performance that I still draw on today. I've also studied scene study with Jonathan Lipnicki and acting fundamentals with Drew Matthews, building a foundation that's as technical as it is instinctive.

All of that training points toward one goal: bringing genuine, specific, human moments to commercials and voice over work. Whether it's a 15-second spot or a character brought to life through voice alone, I believe the smallest performances often ask the most of an actor, and that's the work I want to keep doing.